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David Levinthal Selected Bibliography Books and Exhibition Catalogs
Barnes, Lucinda. Centric 35: David Levinthal. California State University Long Beach, 1989. Busuttil-César, Stéphanie, ed. Red. Paris: Assouline, 2000. Callister, Jane. Diabolical Beauty. Essay by Colin Gardner. Santa Barbara, CA: Santa Barbara Contemporary Arts Forum, 2001. Colbert, David, ed. WWII: A Tribute in Art and Literature. Forward by James Bradley. New York: Time Life Books, 2001. Company, David, ed. Art and Photography: Themes and Movements. London: England: Phaidon Press, 2003. Davis, Keith F. An American Century of Photography: From Dry-Plate to Digital, The Hallmark Photographic Collection. Forward by Donald J. Hall. Kansas City, MO: Hallmark Cards, Inc. in association with Harry N. Abrams, 1995. Deville, Francoise and Alain D'Hooghe. Des Vessies et des Lanternes. Brussels: Les Editions du Botanique, 1991. Ebony, David, Jane Harris, Frances Richard, Martha Schwendener, Sarah Valdez, and Linda Yablonski, eds. Curve: The Female Nude Now. New York: Universe Publishing, 2003. Evans, Harold, with Gail Buckland and David Lefer. They Made America. New York: Little, Brown and Company, 2004. Faber, Monika. Sofort-Bild-Geschichte (Instant-Imaging-Stories). Vienna: Museum Moderner Kunst, 1992. Fabry, Alexis, Céline Fribourg, and Grégory Leroy, eds. Dormir / Sleep. Paris: Coromandel Press, 2000. Fabry, Alexis, Céline Fribourg, and Grégory Leroy, eds. Seduire / Seduce. Paris: Coromandel Design, 2002. Feldman, Ronald, Martina Batan and Sean Elwood, eds. American Dre@m. New York: Ronald Feldman Fine Arts, 2003. Field, Genevieve, ed. NERVE / The New Nude. San Francisco: Chronicle Books, 2000. Fox, Howard N. Avant-Garde in the Eighties. Los Angeles: Los Angeles County Museum of Art, 1987. Glenn, Constance W., ed. Historically Speaking: UAM: 25 Years of Excellence. University Art Museum, College of the Arts, California State University, Long Beach, 1999. Gracia, Ricardo, ed. Retorn al País de les Meravelles: Lart Contemporani i la Infància. Barcelona: Fundació "la Caixa," 2001. Grundberg, Andy and Kathleen McCarthy Gauss. Photography and Art: Interactions Since 1946. New York: Abbeville Press, 1987. Hirsch, Robert. Exploring Color Photography. Dubuque, IA: William C. Brown Publishers, 1988. Hitchcock, Barbara, ed. Emerging Bodies: Nudes From the Polaroid Collections. Zurich: Edition Stemmle, 2000. Hornstein, Shelley, Laura Levitt, and Laurence Silberstein, eds. Impossible Images: Contemporary Art After the Holocaust. New York: New York University Press, 2003. Hoy, Anne H. Fabrications: Staged, Altered, and Appropriated Photographs. New York: Abbeville Press, 1987. Karabinis, Paul. Telling Stories. Jacksonville, FL: The Jacksonville Museum of Contemporary Art, 1996. Kawachi, Taka and Akio E-da, eds. KAWS One. Tokyo: Little More, 2001. Kleeblatt, Norman, ed. Mirroring Evil: Nazi Imagery/Recent Art. New Brunswick, NJ: Rutgers University Press, 2002. Kolb, Gary. Photographing in the Studio. Madison, WI: William. C. Brown Publishers, 1993. Landauer, Susan, ed. Selections: The San Jose Museum of Art Permanent Collection. San Jose, CA: San Jose Museum of Art, 2004. Lang, Gerald and Lee Marks. The Horse: Photographic Images, 1839 to the Present. New York: Harry N. Abrams, Inc., 1991. Levinthal, David. American Beauties. Essay by Rosetta Brooks. Santa Monica, CA: Pence Gallery and New York: Laurence Miller Gallery, 1990. ____________. Barbie Millicent Roberts: An Original. Preface by Valerie Steele. New York: Pantheon, 1998. ____________. Blackface. Essay by Manthia Diawara. Santa Fe, NM: Arena Editions, 1999. ____________. Dark Light: David Levinthal Photographs 1984-1994. Essay by David Allen Mellor. London: The Photographers' Gallery, 1994. ____________. David Levinthal: Works from 1975-1996. Essay and interviews by Charles Stainback and Richard B. Woodward. New York: International Center of Photography with Distributed Art Publishers, 1997. ____________. Desire. Essay by Andy Grundberg. San Francisco: The Friends of Photography Ansel Adams Center, CA, 1993. ____________. Die Nibelungen. Text by Julien Robson and Andrea Hurton. Vienna: Wiener Staatsoper, Galerie H.S. Steinek. Published by Herausgeber, 1993. ____________. Mein Kampf. Essay by James E. Young, Introduction by Roger Rosenblatt, Afterword by Garry Trudeau. Santa Fe, NM: Twin Palms Publishers, 1996. ____________. Modern Romance: David Levinthal. San Diego, CA: Aaron Press in association with Founders Gallery, University of San Diego, 1985. ____________. Modern Romance. Essay by Eugenia Parry. Los Angeles, CA: St. Anns Press, 2000. ____________. SMALL WONDER: Worlds in a box. Essay by David Corey. Washington D.C.: National Museum of American Art/ D.A.P., 1997. ____________. The Wild West: Photographs by David Levinthal. Constance Sullivan, ed. Essay by Richard B. Woodward. Washington, D.C.: Smithsonian Institution Press, 1993. ____________. XXX Series. Interview by Cecilia Andersson. Paris: Galerie Xippas, 2000. Levinthal, David and Garry Trudeau. Hitler Moves East: A Graphic Chronicle 1941-43. New York: Sheed, Andrews & McMeel, 1977. Levinthal, David and James Ellroy. My Mothers Killer. Paris: Coromandel Express, 1998. Lord, M. G. Forever Barbie: The Unauthorized Biography of a Real Doll. New York: William Morrow and Company, Inc., 1994. Merritt, Raymond and Miles Barth, eds. A Thousand Hounds: The Presence of the Dog in the History of Photography. Cologne: Tachen, 2000. Muniz, Vik. Making it Real. Introduction by Luc Sante. New York: Independent Curators Incorporated, 1996. Murayama, Keiko et al. Masterminds of Mode: International Fashion Festival in Japan. Nagoya, Japan: H2O Company Ltd., 2000. Orvell, Miles. American Photography: Oxford History of Art. Oxford, England: Oxford University Press., 2003. Robson, Julien. Interpreting The American Dream. Graz, Austria: Galerie Eugen Lendl, 1992. Rule, Amy and Nancy Solomon, eds. Original Sources: Art and Archives at the Center for Creative Photography. Center for Creative Photography, The University of Arizona, 2002. Shales, Ezra and Susan Edwards, eds. Horse Tales: American Images and Icons 1800-2000. Preface by Verlyn Klinkenborg. Essays by Ezra Shales, Susan Edwards, and Deborah Bright. Katonah Museum of Art, 2001. Simpson, Fronia, ed. The Darker Side of Playland: Childhood Imagery from the Logan Collection. San Francisco Museum of Modern Art, 2000. Solomon-Godeau, Abigal. In Plato's Cave. New York: Marlborough Gallery, 1983. ___________________. "Photography at the Dock." In The Art of Memory / The Loss of History. New York: The New Museum of Contemporary Art, 1985. Speer, Lance. "Ceci n'est pas une nue: David Levinthal's XXX Series." In Strange Genius, edited by John Wood. Vol. 5 of 21st: The Journal of Contemporary Photography. N.p.: Steven Albahari, 2001. Storr, Robert. Devil on the Stairs. Philadelphia: Institute of Contemporary Art, 1991. Subway Series: The New York Mets and Our National Pastime and Subway Series: The New York Yankees and the American Dream. New York: The Bronx Museum of the Arts, Queens Museum of Art, zingmagazine, 2004. Sultan, Terrie. Surrogate Selves: David Levinthal, Cindy Sherman, Laurie Simmons. Washington, D.C.: The Corcoran Gallery of Art, 1989. Varnedoe, Kirk, Paola Antonelli, and Joshua Siegal, eds. Modern Contemporary Art at MOMA Since 1980. New York: Museum of Modern Art, 2000. Weiermair, Peter, ed. Desire: Ein Bilderbuch zur gleichnamigen Ausstellung herausgegeben von der Ursula Blickle Siftung. Zurich: Edition Oehrli and Kraichtal, Germany: Ursula Blickle Siftung, 2001 Weiermair, Peter. Prospect 96: Photography in Contemporary Art. Frankfurter Kunstverein and Schirn Kunsthalle Frankfurt, Frankfurt am Main, Germany: Edition Stemmle, 1996. Weinberg, Adam D. From The Heart: The Power of PhotographyA Collector's Choice. New York: Aperture, 1998. Wendt, Selene. A Doll's House. Hovikodden, Norway: Henie Onstad Kunstsenter, 2002. Yoe, Craig. The Art of Barbie: Artists Celebrate the World's Favorite Doll. New York: Workman Publishing Co., 1994. Young, James E. At Memorys Edge: After Images of the Holocaust in Contemporary Art and Architecture. New Haven, CT: Yale University Press, 2000. Articles and Reviews Albig, Jörg-Uwe Von. "Der Fotografie wird die Wirkchlichkeit Ausgetrieben." Geo Extra (Summer 1996): 150. Aletti, Vince. "Valley of the Dolls." The Village Voice, 21 May, 1991, 95. Aiger, Carl. "Mein Kampf/Hitler Moves East." EIKON: Internationale Zeitschrift Für Photographie & Medienkunst (August 1995): 9495. Baker, Kenneth. "The Holocaust on a Whole New Scale." The San Francisco Chronicle, 14 May, 1996, E1. Barron, James. "For Some, the Lure of Horror." The New York Times, Sunday, 19 July, 1998, sec. 45. Benfey, Christopher. "Toys Are Us: David Levinthal's Dollhouse History." Slate (February 19, 1997) Internet. Bensley, Lis. "'Mein Kampf' Show Marks Full Circle for Levinthal: Pushing Vision to Horrifying New Heights." Pasatiempo (September 8-14, 1995). Berry, Wendell. "Property, Patriotism and National Defense." Aperture: The Return of the Hero (Spring 1988): 3240. Boxer, Sarah. "Hardly Child's Play: Shoving Toys into Darkest Corners." The New York Times, 24 January 1997, Photography Review sec. Brockington, Horace. "David Levinthal: Blackface and Stereotypes." Review (February 15, 1997): 1719. Broder, Henryk. "We Invented the Holocaust!" Transition 89, vol. 11, no. 1: 74-87. Brooks, Rosetta. "A Biennial of Our Own." Seven Days (May 3, 1989): 24. Carlson, Lance. "Enlarging the Photographic Impact." Artweek (April 29, 1989): 12. Chen, Aric. "Fleeting Moments." Dutch, no. 31 (January / February 2001): 2021. Coleman, A.D. "Hitler Moves East Turns Fourteen." Camera & Darkroom (January 1992): 5456. ___________. "Hitler Moves East." European Photography 12, no. 47, 4749. ___________. "New York City as Subject and Inspiration." The New York Observer, 9 January, 1989, 12. ___________."The Image In Question." Center Quarterly 9, no.4 (Summer 1988): 49. Costello, Michael. "Tabletop History." Afterimage (April 1978):18-19. Crump, James. "David Levinthal: Mein Kampf." The Magazine (October 1995): 55. "David Levinthal The West: The Return of the Hero." Aperture (Spring 1988): 33-39. Durant, Mark Alice. "Imaging Horror: Mein Kampf Photographs by David Levinthal." The Boston Book Review, vol. 4, no. 4. (May 1997): p.10. Eauclaire, Sally. "Hitler: A Chronicle of Horror." Rochester Democrat & Chronicle, 19 February, 1978, 1E, 4E. Ehrlich, Jane. "About Time, as Levinthal Photos Show in London." The American 22 April, 1994. Exley, Roy. "Construction Sights." Contemporary Visual Arts, no. 16, 20-25. Foresta, Merry. "Toying with History: A Conversation with David Levinthal, William Christenberry, and Merry Foresta." SEE: A Journal of Visual Culture, no. 1:2 (1995): 25-31. Forgacs, Éva. "David Levinthal at Craig Krull." Art Issues, no. 38 (Summer 1995). French, David. "Seeking Critical Dialog." Artweek (Nov. 28, 1987): 6. Fuchs, Francesca. "Mein Kampf: The Photography of David Levinthal." ArtL!ES, Texas Art Journal, no.16, (Fall 1997): 37. Goodman, Tim. "Absolutely Successful." Palo Alto Weekly, 16, August 1989, sec. 2. Goff, Robert. "This Toy Story is Rated R." Forbes, (April 6, 1998): 164-165. Grundberg, Andy. "Where Blurred Focus Makes Sharp Statements." The New York Times, 20 December 1987, sec. 2. ____________. "Image and Idea." The New York Times Magazine, 30 August, 1987, sec. 2, 74, 117. ____________. "David Levinthal: American Beauties." The New York Times, 25 May, 1990, sec. 3. Hagen, Charles. "David Levinthal: Modern Romance." The New York Times, 13 September, 1991, sec. 3. ___________. "Treating Nazis in Art, Even Seriously, Is Risky." The New York Times, 25 November, 1994. Heiferman, Marvin and Carol Kismaric. "Getting Close to Gotham." ARTnews, (September 1987):106-111. Hoffmann, Justin. "Das Neue Konzept." Artis (May, 1990): 26-29. Illetschko, Peter. "Fabrik der Mythologien." Der Standard, 8 May, 1992, sec. 1. "Imaged Documents" in C.E.P.A. Quarterly, (Winter/Spring 1988): 15-17. Ise, Claudine. "'Babes' Aimes to Demystify Expectations of Women." Los Angeles Times, 24 July, 1998, F33. Jenkins, Steve. "Boy Toys." Bay Area Reporter, 14 August, 1997, 43. Johnson, Patricia C. "2 Exhibits Explore Aftermath, Scars of Nazi Holocaust." Houston Chronicle, 8 October, 1997, sec. D, 1. Kent, Sarah. "Macho Pink." Time Out, London, 8 June, 1994. Kessler, Pamela. "The Created Event." The Washington Post, 26 March, 1988, sec. 2. Knight, Christopher. "Photographer Levinthal Goes West." Los Angeles Herald Examiner, 14 April, 1989, Weekend edition. Kozloff, Max. "Hapless Figures in an Artificial Storm." Artforum, (November 1989): 132. Levinthal, David. "Mein Kampf." Blind Spot Photography, no. 3, 1994. ____________. "Captain Gallant." American Art, (Winter/Spring 1991): 60-67. ____________. "Hitler Moves East." Camera Austria, 33/34. (1989): 49-56. Loke, Margarette. "Up Now, David Levinthal: International Center of Photography." ARTnews, (March 1997): 108. Matis, Gretchen. "Photos Display Myths, Romanticism Shaping Our Perspective of the West." The Atlanta Journal / The Atlanta Constitution, 6 April, 1993. Mellor, David Allen. "David Levinthal: Mein Kampf." Creative Camera : Independent Magazine of Photography, (June/July 1994): 34-37. Mendelson, John. "Toy Story." The Jewish Week, 7 March, 1997. "Models." Richardson, vol. A2, (2000): 17. Murray, Joan. "Memorable Books." Artweek, (January 7, 1978): 13-14. Nash, Eric P. "Boxes of Reality." New York Times Book Review, 8 February, 1998, 19. Newhall, Edith. "Photography: The World's a Stage." New York Magazine, 20 January, 1997. Pagel, David. "David Levinthal." Art Issues, (September/October 1989): 28. _________. "Toys in Bondage." The Los Angeles Times, 8 August, 1991, sec. 6. Princenthal, Nancy. "Artist's Book Beat." On Paper: The Journal of Prints, Drawings, and Photography, vol.1, no.4. (March-April 1997): 47. Richards, Jane. "Mein Kampf, the Polaroids." The Independent 25 (May 1994). Rowe, James. "Hitler Moves East." Review (November/December 1989): 6. Schjeldahl, Peter. "Down in Flames." The Village Voice, 4 February, 1997, 90. Singer, Mark. "Toy Stories." The New Yorker, 20 January, 1997, 68-69. Starenko, Michael. "Modern Romance." Afterimage (January 1986): 21. Stark, Thomas F. "Playsets given an artist's touch." Plastic Figure & Playset Collector, no.56 (August 1998): 6. Strasser, Teresa. "Controversial Photographer Toys with Holocaust." Jewish Bulletin of Northern California, 17 May, 1997, 36. Sutherland, Amy. "Reality Click." Maine Telegram, Sunday, 11 January, 1998, 1E. Temin, Christine. "Recasting Racism or Renewing It?: Kara Walker's cutting silhouettes ignite a Harvard debate about whether co-opting toxic stereotypes can help or hurt black artists." The Boston Globe, 13 March,1998, D1. Thorson, Alice. "Camera Records Invented Worlds." The Washington Times, 21 April, 1988, sec. 5. Turner, Grady T. "David Levinthal at Paul Morris." Art in America (May, 2003): 149-150. Ueoka, Yasuko. "Reality Within My Belief: David Levinthal." Beans Mono, vol. 1 (June 2001), 403-408. Walker, Ian. "David Levinthal: Photographers' Gallery." Untitled, (Summer 1994). Warren, Mike. " Museum Exhibit Depicts Horrors of the Holocaust." Houston Chronicle, 17 September, 1997, 1. __________. "Holocaust Photography Exhibit to Run Through Jan. 5." Houston Chronicle, 1 October, 1997, 1. Welzenbach, Michael. "Static, Photographic 'Surrogate'." The Washington Post, 25 January, 1989. Weiley, Susan. "The Darling of the Decade." ARTnews (April 1989): 143-150. Wise, Kelly. "Photos Miniature the Old West." The Boston Globe, 13 February, 1988. Woodward, Richard B. "David Levinthal." ARTnews (March 1989):108. _________________. "Taking Toys Seriously: Mini-Movement or Sideshow." The New York Times, 26 February, 1989, sec. 2. _________________. "Color Bind: White Artist + Black Memorabilia = No Show." The Village Voice, 25 June, 1996, 78. "XXX Series." Camera Style 11 (2001), 115-119
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